Four women lock themselves up, for four days, in rooms of a motel. They’re waiting for a man who might not come, or at least not in the way we’d expect him to. Through video surveillance cameras, author Jean-Paul Quéinnec observes these expectant women and writes what he sees.

This reflection on the intimate and the public is broadcasted across the OFFTA’s territories through computer screens, like windows unto our latent voyeurism.