Programme triple

CLOSING EVENT

Sunday June 1st at 9:00pm
Église Ste-Brigide de Kildare
$20 adult / $15 emerging price (35 years and under) / $12 student

83 min + intermission

Evening sponsors:

    

                                                                        

Comment arracher les pétales d’une rose avec un 2x4
Étienne Boulanger/ Julie-Andrée T.
Performance

He works on effort, danger and the limitations of the body.
She works on her own neglected, lost, and unproductive spaces.
Between poetry, handcrafted constructions and real risk-taking,
the worlds of Étienne Boulanger et Julie-Andrée T. collide in a
unique physical dialogue where the fragile bodies of people are
balanced on 2x4.


BIOGRAPHICAL NOTE – Étienne Boulanger & Julie-Andrée T.
Étienne Boulanger’s
artistic research perturbs human’s relation to spatial positioning systems. By placing his body in disequilibrium, in an unstable and disrupted state, the artist creates a utopia of precarious points of reference. Using rudimentary tools such as pendulums, hoists or pulleys, and combining them with image and sound-based new technologies, he stretches or modifies his body to become an extension of the poetic gesture itself.
Etienne Boulanger teaches art at the Collège d’Alma. He is also a member of the collective Crédule 40. His works have been presented in galleries, museums and events in Canada, France, Singapore, Indonesia and China.

Julie Andrée T. studied visual arts in Montreal. Placing the body and space at the core of her approach, she initially made her mark as a performance and installation artist. Professionally active since 1996, she has presented her work in Canada, the United States, Europe, Asia and South America. With a certain disregard for the conventions and codes of performance and theater, she had presented Not Waterproof / L’érosion d’un corps erroné and Rouge, at Festival TransAmériques in 2009, and in 2010 at the Avignon Festival. Other works have been shown at the Havana Biennal (2002),  Liverpool Biennal (2010) among other venues and events.
She has been a member of the collective performance group Black Market International since 2003. An occasional curator, she has also taught performance art at the School of the Museum of Fine Arts in Boston.
For Julie Andrée T. , practicing art should be a reflection of daily life and the dark ages we are presently in. Body and space are at the center of her research. She uses the body as a vehicle, turning it into a metaphor, into poetry.  She tries to reach a place where personal identity is lost. Although this is a utopia, it might be the only way to find a common abstract language to understand what we do and who we are. She is actually pursuing a theoretical and practical research on the theme of landscape and death, and the relationship to the esthetic of sublime and the dramaturgy of it. Nature Morte in Sopot is part of a series that begun in 2012.

OFFTA 2014 | Vidéo sous le drap | Comment arracher les pétales d'une rose avec un 2x4 from OFFTA on Vimeo.


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Musique forclorique
Bobo Boutin
Performance

After chaos, chaos! On stage, Bobo Boutin sings and uncoils over a pre-recorded soundtrack. He must “defend” his original composition in the most martial sense of the term. Atypical artist, refusing all social and artistic conventions, he gives himself over to the audience with generosity and without restraint.

Production manager: Bobo Boutin
Text: Bobo Boutin
Translation: Bobo Boutin
Stage director: Bobo Boutin
Assistant: Bobo Boutin
Set designer: Bobo Boutin
Choreographer: Bobo Boutin
Lighting designer: Bobo Boutin
Stage manager: Bobo Boutin
Costumes: Bobo Boutin
Set builder: Bobo Boutin
Accessories: Bobo Boutin
Music: Bobo Boutin
Video: Bobo Boutin
Artistic advisor: Bobo Boutin
Cast: Bobo Boutin

BIOGRAPHICAL NOTE  – Bobo Boutin
Self-taught artist and musician born in 1975. A life holding in a pocket-handkerchief. Dym sassenach ! 

Bobo nomme son atelier le « phalanstère » où quotidiennement s’accumulent les sévices de ses dessins. Le mot est bien choisi, car le phalanstère est le bâtiment utopiste et proto-communiste imaginé par Fourrier. Et comme dans toutes les utopies, le drame arrive lorsqu’elles se réalisent. Bobo sur scène ou sur papier c’est votre pire cauchemar. Batteur des mythiques Georges Leningrad, groupe post-punk qui sévit dans les années 2000, Bobo Boutin monte sur scène à de rares occasions, seul avec une enregistreuse à cassette. Bobo Boutin, c’est un crooner low-fi, sur fond de standards roc.
(Jean-Pierre Aubé)

Ex-batteur des légendaires Les Georges Leningrad, Bobo Boutin habite dans un monde de délire électronique. Un seul homme, mais une performance qui se transformera graduellement en frénésie cauchemardesque. Attache ta tuque.
(WYRD Montréal)

Y a pas d’place nulle part pour les Bobo Boutin du monde entier.
(Ovide Plouffe)

Website

OFFTA 2014 | Vidéo sous le drap | Musique forclorique from OFFTA on Vimeo.

                                                                        

Une démonstration
Organ Mood
Performance

Organ Mood is an interactive performance in which colorful projections, created through the juxtaposition and superimposition of luminous motifs, and strange, fluorescent musical instruments interact in order to create complex architectural forms and imaginary, occupiable environments.
Followed by the party with the DJs.

NOTE BIOGRAPHIQUE – Organ Mood
Christophe Mathieu and Jacques Lamarche formed Organ Mood in 2008. Their truly multidisciplinary creations infiltrate as much the field of visual arts as of independent music. They’ve performed both in art centres such as l'Écart in Rouyn-Noranda, Sporobole in Sherbrooke, Galerie Sans Nom in Moncton, the Museum of contemporary arts in Montreal, and also in music events such as the Métropolis as part of Bande à Part’s Nuit Blanche, Mutek in Montreal and Mutek in Mexico, and many other independent venues around Quebec.

Organ Mood fait fi du formatage de l'industrie et partage ses Grands Projets. Musique géométrique dans un environnement électronique.
(VOIR – Matthieu Petit, 2010)

Synthesizers are fun! On Organ Mood 's Grands Projets they're the ever-changing high-tech future and the analog past all rolled up in the now…
(hour –Robyn Fadden)

Local audio-visual duo Organ Mood combine Christophe Lamarche’s classic synthesizer psychedelia with Mathieu Jacques’s geometric abstracts, beamed through an old-school overhead projector. The sum is at once humbly handmade and majestically mindbending.
(MIRROR – Rupert Bottenberg)

Website 

 

 

OFFTA 2014 | Vidéo sous le drap | Une démonstration from OFFTA on Vimeo.


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