Je me suis rendue jusqu’au bout, mais je n’ai pas trouvé la fin.

Structured in three parts, this performative triptych addresses the trauma of sexual and domestic violence. Drawing on her own experience and the accounts of others, the artist sheds light on systemic violence and the failings of the legal system, challenging the assumption that criminal and legal prosecution can ever put an end to trauma.

Part 1 (Se rendre jusqu’au bout)
Based on voluntary participation, this intimate reading reconstructs the artist’s testimony against her former partner in criminal court, turning what is typically a solitary act into a collective experience of solidarity.

Part 2 (Ce qui n’effacera rien)
Through a series of ephemeral performative gestures, this furtive public intervention evokes the boys’ club, as well as the processes of normalization, erasure, and exoneration at work in micro-aggressions and everyday gender-based violence.

Part 3 (Nous ne connaissons pas la fin de l’histoire, en attendant il y a nos mots)
Highlighting the challenges faced during the criminal prosecution process, this performance critiques the judicial system’s failure to adequately address cases of sexual and domestic violence.